
Reference · Tokyo National Museum Shōami Katsuyoshi, Plaque with a Bulbul in a Snowy Nandina, 1892, Tokyo National Museum. Public domain. Source ↗
I · Maker & date
Maker: Shōami Katsuyoshi (1832–1908)
Date: Meiji era, 1892
Collection: Tokyo National Museum E-12756
II · Technique
Copper-silver alloy (shibuichi) with raised inlay. The bird is rendered by engraving and by inlay in gold, silver and copper.
III · Exhibition & provenance
Gift of the Japanese Delegate’s Office for the World’s Columbian Exposition, Chicago, to the Tokyo National Museum. Japanese Wikipedia records a third-class bronze medal at Chicago.
IV · Marks
Not captured from the source.
Sources: ColBase, Tokyo National Museum E-12756 ↗ · Cultural Heritage Online 564939 ↗ · Wikimedia Commons file (public domain photograph) ↗ · 正阿弥勝義, Japanese Wikipedia ↗
Assessment
See how we score
| Criterion | Score |
|---|---|
| Maker stature | 2 / 2.5 |
| Recognition (museum / designation / price) | 2.5 / 3 |
| Exhibition | 1 / 1 |
| Technique (cited) | 1.5 / 1.5 |
| Provenance | 1 / 1 |
| Condition, scale & documentation | 1 / 1 |
| Total | 9 / 10 |
Reasoning: Leading Meiji metalworker not on the Imperial Household Artist list; Tokyo National Museum; Chicago 1893 (bronze medal per Japanese Wikipedia); gift of the Japanese Delegate’s Office. How we score.
Maker context
Shōami Katsuyoshi was born on 28 April 1832 at Tsuyama, the third son of Nakagawa Gōemon Katsutsugu, a metal carver to the Tsuyama domain. He learned metal carving from his father. At eighteen he was adopted into the Shōami family, carvers to the Okayama domain, and became its ninth head. He continued to receive designs and instruction by letter from his elder brother and from Gotō Ichijō.
The abolition of the domains, and then the 1876 edict banning the wearing of swords, ended his work on sword fittings. He turned to vases, incense burners, sculpture and tea wares. In 1878 he set up an export venture with more than thirty craftsmen. He stopped it after crude imitations by dishonest dealers appeared, and from then on he concentrated on a small workshop.1
Summarised from our maker page, where every fact is footnoted: Shōami Katsuyoshi 正阿弥勝義.
Notes to “Maker context”
- 正阿弥勝義, Japanese Wikipedia ↗
Related records
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